Concert Accessibility

Navigating the Concert Jungle: The Untold Struggles of Disabled Music Lovers

Taylor Swift performs during The Eras Tour at Gillette Stadium on May 20, 2023 in Foxborough, Massachusetts.

As a wheelchair user and partner to Canine Companions® Pico, I cherish the excitement of live concerts. However, my experiences are frequently marred by an under-the-radar struggle: securing accessible seating. This problem, largely overlooked by mainstream media, affects numerous individuals in the disability community. While Ticketmaster frequently garners attention for mishandled public on-sales or excessive fees, leading to an unusual apology in January, the hardships faced by disabled concert-goers rarely draw attention. This reality became glaring during the recent Taylor Swift Eras Tour.

The Americans with Disabilities Act mandates that approximately 1% of a venue's seating should be disability-accessible. Yet, ticket brokers often abuse this policy, disadvantaging those of us with a genuine need for these seats. During the Eras Tour, disabled fans found themselves competing for a meager 0.005% of seats. As disability rights advocate Amy Webb accurately predicted to Cosmopolitan before the public on-sale, "For the disability community, it's going to be nearly impossible."

When rain fell at Gillette Stadium Saturday, Swift decided to persist with the show. While this might have augmented the spectacle for some, it jeopardized the safety and well-being of disabled fans. Our electronic medical equipment, much like Swift's piano, isn't designed to endure a downpour. Disabled fans found themselves in a no-win situation.

The struggle for accessible seating isn't simply about securing a place at a concert. It's about our right to partake in public life and enjoy the same experiences as everyone else. It's about acknowledging that accessibility is a right, not a privilege.

The ADA exists to ensure that we can access venues and live our lives as the varied individuals with diverse interests we are. However, the reality often deviates from this ideal. Laws designed to protect us from unnecessary disclosure of our disability status paradoxically open the door for abuse. It's not uncommon to see disabled seating suddenly appear on third-party sites like Vivid Seats and StubHub at inflated prices following a public on-sale. With little recourse, the only deterrent to such behavior is a guilty conscience, as these folks knowingly exploit fans who often live on fixed or limited incomes. Profit margins often overshadow these considerations. The lack of enforcement and systemic abuse of this honor-system policy by ticket brokers suggest that we have a long road ahead.

Artists, venues, and ticketing platforms must do more to ensure that everyone, regardless of physical abilities, can enjoy live music. The industry must transition toward inclusivity and accessibility for all.

As Webb fittingly said, "When systems fail us, it's the community that steps up."

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